The Composition Masterclass
Ten weeks live on Zoom with me, Tuesdays from 3 November. Learn to compose with intention, then bring your photographs together into a body of work. With only eight photographers, I'll know every one of your images by the end.
A method you can learn
I've been teaching photographers to see for fifteen years, and what I bring you is a method rather than a bag of tips: a way to look at images, to study how painters and photographers before us solved the same problems, and to bring what you find into your own work.
Find where your work is stuck
The Gap is a free guide that names the three skills that close the distance between what you saw and what you made, and shows you which one is holding you back.
Get the free guide →
Work on it with me
In the Academy you get three live sessions a month, honest critique of member images on a rotating basis, and a community of photographers working on the same problems.
See what's inside →
Make work that matches what you saw
Over time you build a body of work you trust, from the frame in the field to the finished print.
Without a method the gap stays where it is, and you keep making technically fine photographs that don't feel like the moment you were standing in.
An artist who teaches artists
I'm Robert Rodriguez Jr, a landscape photographer and fine art printer in New York's Hudson Valley. For more than twenty years, photography has been my way of sharing a connection to the natural world, one rooted in awe and gratitude.
I've written two books on fine-art printing and I'm an ambassador for Canson Infinity and BenQ. But what I care about most is helping a small group of photographers find what they're trying to say, and say it.
Looking for a course or one-to-one work? See everything I offer →
I've been taking pictures for over 20 years, but it wasn't until I found you that I started seeing images.
He worked with me on improving my approach to composition, light and feeling. It was terrific. His ability to understand what I was seeking and his mentoring on what I need to look for was extremely helpful.
It's clear that I'm learning not merely the mechanics of image editing and creating a print, but the esthetics of the output, showing me elements in my photographs that had escaped my very own vision.
Latest Posts
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Intro to Strong Composition: A Free Course
I’m happy to announce I’ve released a free email course on composition called Intro to Strong Composition. It’s something I’ve wanted to do for a…
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The Case for Committing
Have you ever had an image that seemed to work equally well in color and in black and white? During our last Academy session on…
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Why I Don’t Make the Picture (90% of the Time)
There’s a spot on the Hudson River about two miles from my home that I’ve visited hundreds of times over the years. I’ve photographed it,…