Composition
Your Camera Documents—You Interpret
I spent my first few years as a photographer trying to capture what was in front of me. Point the camera at the waterfall, get the exposure right, make sure it’s sharp. If everything was technically sound, I’d consider it a success. But those images felt hollow. Accurate, maybe, but not what I really wanted—and…
Read MoreLS 38: Learning From the Masters—Color & Atmosphere
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Read MoreLS 36: Composition Based Editing—Pt II
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Read MoreListening to the Light: How Music Helps You to See
In both music and photography, what we feel comes from balance—not just between loud and soft, or bright and dark, but between sound and silence, tension and release. I’ve been thinking about this a lot lately after sharing two recent images with Academy members during a creative editing session. Some of the questions were challenging…
Read MoreLS 35: Creative Editing—Analysis
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