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I spent my first few years as a photographer trying to capture what was in front of me. Point the camera at the waterfall, get the exposure right, make sure it’s sharp. If everything was technically sound, I’d consider it a success. But those images felt hollow. Accurate, maybe, but not what I really wanted—and…
In both music and photography, what we feel comes from balance—not just between loud and soft, or bright and dark, but between sound and silence, tension and release. I’ve been thinking about this a lot lately after sharing two recent images with Academy members during a creative editing session. Some of the questions were challenging…
Lightroom Classic has been my digital darkroom of choice for many years, and with each new release Adobe adds tools that can either make our lives easier—or distract us if we’re not careful. Versions 14.4 and 14.5 introduce several updates that, when understood and applied with intention, can really help streamline your workflow. I recently…
Lightroom Classic is an incredible tool—but only if you understand its foundation: the catalog. And despite using it every day, many photographers still treat it like a mystery box. Let’s clear that up. The Catalog Is a Database, Not a Container The catalog doesn’t hold your image files. It stores information about them: That’s it.…
I’ve owned a lot of printers over the years from both Canon and Epson, but one of my all-time favorites has been the Canon PRO-1000. It’s been a dependable workhorse, and I’ve made a lot of prints with it—both for myself and for students in my printing workshops. So when Canon announced a successor, I…